Taal Class on ITC SRA
Fundamental to any music is its relationship with time. In Hindustani Classical Music it is a very well developed system of Taal that keeps it tied within a format of beats with specific intervals between them. At ITC Sangeet Research Academy recently an important lesson on this subject was taught by Guru Pandit Ajoy Chakrabarty in a series of two sessions.
Having trained, among others, under Pandit Jnan Prakash Ghosh in vocal music, harmonium playing and the Tabla, Pandit Chakrabarty is one of the foremost teachers of this genre of music.
One of the treasures shared with all the Scholars of the evening was that laya (speed) in which a Bandish is performed should take its cue from the lyrics of the Bandish. He instructed the students that they should internalise the taal first and then learn to control taal independently, irrespective of what the Tabla accompanist is playing. One of the methods by which this can be achieved, Pandit Chakrabarty suggested, was by reading out the sounds/mnemonics of the taal theka and get into the habit of writing them down. Improvisation on theka should follow afterwards, he added. It was imperative to learn kaydas and tukdas to get a feel of the taals, he felt.
The sessions were both well attended and the Scholars gained much from them.